Tuesday, December 20, 2016

Director's Notes: S1E7


Casting:

Katina Cazalet: Blonde with an Attitude
Grunter Little: Co-worker pacing behind Katina
Remy Gervasi: Co-worker watching porn at his desk
Carly Morrisey (Me): That Trouble Making Redhead

Episode Development:


***Please note that the following contains spoilers*** 

In this episode many things change. We fast forward back to present time (almost). The phone narration from the Wife literally gets 'hung up on'.

This is the point where my character decides that she wants Her Revenge after liberating herself from her binds. Sitting on the couch plotting is where she begins. Wearing the black dress with the skull motif is where the audience gets a hint that she wants do to turn her revenge into an art form.

I decided to have dialog as text messages because that is how the series started... with the phone being the narration device. The music I picked was electronic but atmospheric enough to show the tension build.

We flash two years later to Kat's character working in an office. She wants to be a good employee. She wants to get back from her past. The sex scene ensues with Kat being sandwiched between Remy and Grunter. There is no dialog or narration because I wanted to show how in the moment it was in the office. We then cut to me in an elevator with Remy and Grunter suggesting that I had been plotting against Katina for the past two years to get her in a compromising position with her co-workers.

The text dialog returns and we see that my character is planning an art-show featuring the office sex scene. The music turns very dramatic. Standing in my black dress with Grunter and Remy in their suits was that crescendo of the bitch exacting a power move on Katina.

As a new motif, I went for photographs of the revenge that my character was exacting above her on the wall of her gallery.


Click here to read the entire illustrated Season One book in-world. Get your copy from Second Life Market Place. Eighty percent of all royalties are shared with the cast.




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